![]() The Met has substantially increased the number of Black singers in its chorus for several of this season’s productions, including “Boris Godunov” and “Die Meistersinger von Nürnberg,” using singers originally hired in 2019 for “Porgy and Bess. Its board of 45 has only three Black managing directors only one of the eight people on its music staff is Black, and only two members of its 84-member orchestra. One of the rewards for his triumph was a scholarship at the Kathryn Turney Long Opera School, the Metropolitans training school. The Met recently hired its first diversity officer, Marcia Sells. Metropolitan Opera Auditions of the Air for 1953. “If opera is to thrive in the future as an art form in America, productions like this can’t be exceptions outside the mainstream canon.” Its list of principal conductors includes Gustav Mahler, Arturo Toscanini, and Erich Leinsdorf. The Met’s history of music directors is impressive. “What we saw Monday night is what happens in America when diversity is unleashed, when we see creativity that we’ve not been able to see,” Walker said. Todd Duncan (1903 1998) was a renowned American baritone opera singer, actor, and educator who during his career helped desegregate the field of opera.He first debuted in 1933 in Pietro Mascagni’s Cavalleria with the Aeolian Opera, a Black opera company in New York. In recent seasons, the Met has staged numerous contemporary works including several operas by black composers.The foundation is also supporting the Met premiere of Anthony Davis’s “X: The Life and Times of Malcolm X” in 2023. ![]() ![]() ![]() Price who broke down the color bar and made. Following Fires success, the Met announced that Liverman will star in Anthony Davis X: The Life and Times of Malcolm X, which will be the second opera by a. “I’m in awe that it’s something I get to see firsthand.”ĭarren Walker, president of the Ford Foundation, which helped underwrite “Fire” with a $1.25 million grant, said the opera was a reminder of the importance of presenting a diverse array of artists. Price had established herself as the first black singer to appear regularly in opera houses around the world. “It probably should have happened earlier, but I’m happy that it happened now,” she said.
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